honestly im so done with this old lg monitor its actually driving me insane because the color accuracy is just non-existent at this point. i spent like five hours yesterday color grading this short film for a client—actually it was more like six hours—and when i watched it on my iphone everything looked way too green and washed out its basically unusable and i feel like a total amateur.
so i was thinking about getting the benq sw271c because everyone talks about it but then i read these horror stories about the screen flickering and the backlight bleed being terrible so now im second guessing everything. my logic was that i need something with true 10-bit color and at least 99% srgb/rec.709 but my brain is melting looking at all these specs and i have a huge delivery due next friday here in la so i need to order something like yesterday.
im looking at a budget of around 1200 dollars maybe 1500 if it actually works and doesnt lie to me about what red looks like. i looked at these:
the asus has like fifty different models and i cant tell which ones are actually for video pros and which are just marketing fluff. should i just bite the bullet on a proart or is there some hidden gem i havent seen yet? im literally staring at my cart right now just totally stuck...
To add to the point above: honestly, moving to a higher-end ProArt saved my career! I went through three screens before landing on my current setup and it is amazing.
Saw this late but honestly... most monitors in this price bracket are pretty disappointing if youre doing professional delivery. Unfortunately, that ASUS ProArt PA329CV is basically just a glorified office screen. It doesnt have the hardware-level LUT support you actually need for a major delivery next Friday. Here is the technical reality of why some of those picks are problematic:
Man i totally feel you on that green tint issue... i had the exact same thing happen with a wedding video last year where the skin tones looked perfect on my old screen but like total zombies on my clients ipad. its honestly the worst feeling when you realize your hardware has been lying to you for months. i agree with your logic though, sticking to that 10-bit requirement is basically the only way to sleep at night if you are doing serious grading. i finally made the jump to a high-end panel with a 14-bit 3d lut and the difference in my workflow has been night and day. no more guessing games or checking five different screens before sending a draft. being able to trust that what im seeing is actually what is in the file just makes the whole process so much more satisfying. definitely dont settle for anything less than that true 10-bit depth especially with a friday deadline looming. it works well when the hardware finally matches your output.
Im dealing with the exact same thing right now actually. Like someone mentioned, that feeling of checking your work on a phone and seeing a totally different color grade is just crushing. It makes you question every single purchase decision because you just want something reliable that wont lie to you. Honestly, my paranoia about hardware has been peaking lately because of my home office setup.